English poem
The Wall-Flower
by David Lester Richardson (1801–1865)
The weed is green, when grey the wall, And blossoms rise where turrets fall
Herrick gives us a pretty version of the story of the WALL-FLOWER, (cheiranthus cheiri)("the yellow wall-flower stained with iron brown")
Why this flower is now called so List sweet maids and you shall know Understand this firstling was Once a brisk and bonny lass Kept as close as Danae was Who a sprightly springal loved, And to have it fully proved, Up she got upon a wall Tempting down to slide withal, But the silken twist untied, So she fell, and bruised and died Love in pity of the deed And her loving, luckless speed, Turned her to the plant we call Now, 'The Flower of the Wall'
The wall-flower is the emblem of fidelity in misfortune, because it attaches itself to fallen towers and gives a grace to ruin. David Moir (the Delta of Blackwood's Magazine) has a poem on this flower. I must give one stanza of it.
In the season of the tulip cup When blossoms clothe the trees, How sweet to throw the lattice up And scent thee on the breeze; The butterfly is then abroad, The bee is on the wing, And on the hawthorn by the road The linnets sit and sing.
Lord Bacon observes that wall-flowers are very delightful when set under the parlour window or a lower chamber window. They are delightful, I think, any where.
THE JESSAMINE.
The Jessamine, with which the Queen of flowers, To charm her god adorns his favorite bowers, Which brides, by the plain hand of neatness dressed-- Unenvied rivals!--wear upon their breast; Sweet as the incense of the morn, and chaste As the pure zone which circles Dian's waist.
Churchill.
The elegant and fragrant JESSAMINE, or Jasmine, (Jasmimum Officinale) with its "bright profusion of scattered stars," is said to have passed from East to West. It was originally a native of Hindustan, but it is now to be found in every clime, and is a favorite in all. There are many varieties of it in Europe. In Italy it is woven into bridal wreaths and is used on all festive occasions. There is a proverbial saying there, that she who is worthy of being decorated with jessamine is rich enough for any husband. Its first introduction into that sunny land is thus told. A certain Duke of Tuscany, the first possessor of a plant of this tribe, wished to preserve it as an unique, and forbade his gardener to give away a single sprig of it. But the gardener was a more faithful lover than servant and was more willing to please a young mistress than an old master. He presented the young girl with a branch of jessamine on her birth-day. She planted it in the ground; it took root, and grew and blossomed. She multiplied the plant by cuttings, and by the sale of these realized a little fortune, which her lover received as her marriage dowry.
In England the bride wears a coronet of intermingled orange blossom and jessamine. Orange flowers indicate chastity, and the jessamine, elegance and grace.
THE ROSE.
For here the rose expands Her paradise of leaves.
Southey.
The ROSE, (Rosa) the Queen of Flowers, was given by Cupid to Harpocrates, the God of Silence, as a bribe, to prevent him from betraying the amours of Venus. A rose suspended from the ceiling intimates that all is strictly confidential that passes under it. Hence the phrase--under the Rose.
The rose was raised by Flora from the remains of a favorite nymph. Venus and the Graces assisted in the transformation of the nymph into a flower. Bacchus supplied streams of nectar to its root, and Vertumnus showered his choicest perfumes on its head.
The loves of the Nightingale and the Rose have been celebrated by the Muses of many lands. An Eastern poet says "You may place a hundred handfuls of fragrant herbs and flowers before the Nightingale; yet he wishes not, in his constant heart, for more than the sweet breath of his beloved Rose."
The Turks say that the rose owes its origin to a drop of perspiration that fell from the person of their prophet Mahommed.
The classical legend runs that the rose was at first of a pure white, but a rose-thorn piercing the foot of Venus when she was hastening to protect Adonis from the rage of Mars, her blood dyed the flower. Spenser alludes to this legend:
White as the native rose, before the change Which Venus' blood did on her leaves impress.
Spenser.
Milton says that in Paradise were,
Flowers of all hue, and without thorns the rose.
According to Zoroaster there was no thorn on the rose until Ahriman (the Evil One) entered the world.
Here is Dr. Hooker's account of the origin of the red rose.
To sinless Eve's admiring sight The rose expanded snowy white, When in the ecstacy of bliss She gave the modest flower a kiss, And instantaneous, lo! it drew From her red lip its blushing hue; While from her breath it sweetness found, And spread new fragrance all around.
This reminds me of a passage in Mrs. Barrett Browning's Drama of Exile in which she makes Eve say--
--For was I not At that last sunset seen in Paradise, When all the westering clouds flashed out in throngs Of sudden angel-faces, face by face, All hushed and solemn, as a thought of God Held them suspended,--was I not, that hour The lady of the world, princess of life, Mistress of feast and favour? Could I touch A Rose with my white hand, but it became Redder at once?
Another poet. (Mr. C. Cooke) tells us that a species of red rose with all her blushing honors full upon her, taking pity on a very pale maiden, changed complexions with the invalid and became herself as white as snow.
Byron expressed a wish that all woman-kind had but one rosy mouth, that he might kiss all woman-kind at once. This, as some one has rightly observed, is better than Caligula's wish that all mankind had but one head that he might cut it off at a single blow.
Leigh Hunt has a pleasant line about the rose:
And what a red mouth hath the rose, the woman of the flowers!
In the Malay language the same word signifies flowers and women.
Human beauty and the rose are ever suggesting images of each other to the imagination of the poets. Shakespeare has a beautiful description of the two little princes sleeping together in the Tower of London.
Their lips were four red roses on a stalk That in their summer beauty kissed each other.
William Browne (our Devonshire Pastoral Poet) has a rosy description of a kiss:--
To her Amyntas Came and saluted; never man before More blest, nor like this kiss hath been another But when two dangling cherries kist each other; Nor ever beauties, like, met at such closes, But in the kisses of two damask roses.
Here is something in the same spirit from Crashaw.
So have I seen Two silken sister-flowers consult and lay Their bashful cheeks together; newly they Peeped from their buds, showed like the garden's eyes Scarce waked, like was the crimson of their joys, Like were the tears they wept, so like that one Seemed but the other's kind reflection.
Loudon says that there is a rose called the York and Lancaster which when, it comes true has one half of the flower red and the other half white. It was named in commemoration of the two houses at the marriage of Henry VII. of Lancaster with Elizabeth of York.
Anacreon devotes one of his longest and best odes to the laudation of the Rose. Such innumerable translations have been made of it that it is now too well known for quotation in this place. Thomas Moore in his version of the ode gives in a foot-note the following translation of a fragment of the Lesbian poetess.
If Jove would give the leafy bowers A queen for all their world of flowers The Rose would be the choice of Jove, And blush the queen of every grove Sweetest child of weeping morning, Gem the vest of earth adorning, Eye of gardens, light of lawns, Nursling of soft summer dawns June's own earliest sigh it breathes, Beauty's brow with lustre wreathes, And to young Zephyr's warm caresses Spreads abroad its verdant tresses, Till blushing with the wanton's play Its cheeks wear e'en a redder ray.
From the idea of excellence attached to this Queen of Flowers arose, as Thomas Moore observes, the pretty proverbial expression used by Aristophanes--you have spoken roses, a phrase adds the English poet, somewhat similar to the dire des fleurettes of the French.
The Festival of the Rose is still kept up in many villages of France and Switzerland. On a certain day of every year the young unmarried women assemble and undergo a solemn trial before competent judges, the most virtuous and industrious girl obtains a crown of roses. In the valley of Engandine, in Switzerland, a man accused of a crime but proved to be not guilty, is publicly presented by a young maiden with a white rose called the Rose of Innocence.
Of the truly elegant Moss Rose I need say nothing myself; it has been so amply honored by far happier pens than mine. Here is a very ingenious and graceful story of its origin. The lines are from the German.