After Reading J. T. Gilbert'S "The History Of Dublin."

Long have I loved the beauty of thy streets, Fair Dublin: long, with unavailing vows, Sigh'd to all guardian deities who rouse The spirits of dead nations to new heats Of life and triumph:--vain the fond conceits, Nestling like eaves-warmed doves 'neath patriot brows! Vain as the "Hope," that from thy Custom-House Looks o'er the vacant bay in vain for fleets. Genius alone brings back the days of yore: Look! look, what life is in these quaint old shops-- The loneliest lanes are rattling with the roar of coach and chair; fans, feathers, flambeaus, fops, Flutter and flicker through yon open door, Where Handel's hand moves the great organ stops.

March 11th, 1856.

107. It is stated that the "Messiah" was first publicly performed in Dublin. See Gilbert's "History of Dublin," vol. i. p. 75, and Townsend's "Visit of Handel to Dublin," p. 64.

TO HENRY WADSWORTH LONGFELLOW.

(Dedication of Calderon's "Chrysanthus and Daria.")

Pensive within the Coliseum's walls I stood with thee, O Poet of the West!-- The day when each had been a welcome guest In San Clemente's venerable halls:-- With what delight my memory now recalls That hour of hours, that flower of all the rest, When, with thy white beard falling on thy breast, That noble head, that well might serve as Paul's In some divinest vision of the saint By Raffael dreamed--I heard thee mourn the dead-- The martyred host who fearless there, though faint, Walked the rough road that up to heaven's gate led: These were the pictures Calderon loved to paint In golden hues that here perchance have fled.

Yet take the colder copy from my hand, Not for its own but for the Master's sake; Take it, as thou, returning home, wilt take From that divinest soft Italian land Fixed shadows of the beautiful and grand In sunless pictures that the sun doth make-- Reflections that may pleasant memories wake Of all that Raffael touched, or Angelo planned:-- As these may keep what memory else might lose, So may this photograph of verse impart An image, though without the native hues Of Calderon's fire, and yet with Calderon's art, Of what thou lovest through a kindred muse That sings in heaven, yet nestles in the heart.

Dublin, August 24th, 1869.

TO KENELM HENRY DIGBY, AUTHOR OF "MORES CATHOLICI," "THE BROADSTONE OF HONOUR," "COMPITUM," ETC.

(On being presented by him with a copy, painted by himself, of a rare Portrait of Calderon.)

How can I thank thee for this gift of thine, Digby, the dawn and day-star of our age, Forerunner thou of many a saint and sage Who since have fought and conquer'd 'neath the Sign? Thou hast left, as in a sacred shrine-- What shrine more pure than thy unspotted page?-- The priceless relics, as a heritage, Of loftiest thoughts and lessons most divine. Poet and teacher of sublimest lore, Thou scornest not the painter's mimic skill, And thus hath come, obedient to thy will The outward form that Calderon's spirit wore. Ah! happy canvas that two glories fill, Where Calderon lives 'neath Digby's hand once more.

October 15th, 1878.