Versos English Herman Melville Canto 19 ('Tis night, with silence, save low…)

English poem

Canto 19 ('Tis night, with silence, save low…)

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'Tis night, with silence, save low moan Of winds. By torches red in glen A muffled man upon a stone Sits desolate sole denizen. Pilgrims and friars on ledge above Repose. A figure in remove This prologue renders: "He in view Is that Cartaphilus, the Jew

Who wanders ever; in low state, Behold him in Jehoshaphat The valley, underneath the hem And towers of gray Jerusalem: This must ye feign. With quick conceit Ingenuous, attuned in heart, Help out the actor in his part, And gracious be;" and made retreat. Then slouching rose the muffled man; Gazed toward the turrets, and began: "O city yonder, Exposed in penalty and wonder, Again thou seest me! Hither I Still drawn am by the guilty tie Between us; all the load I bear

Only thou know'st, for thou dost share. As round my heart the phantoms throng Of tribe and era perished long, So thou art haunted, sister in wrong! While ghosts from mounds of recent date Invest and knock at every gatc Specters of thirty sieges old Your outer line of trenches hold: Egyptian, Mede, Greek, Arab, Turk, Roman, and Frank, beleaguering lurk.— "Jerusalem! Not solely for that bond of doom Between us, do I frequent come Hither, and make profound resort In Shaveh's dale, inJoel's court; But hungering also for the day Whose dawn these weary feet shall stay, When Michael's trump the call shall spread Through all your warrens of the dead. "Time, never may I know the calm Till then? my lull the world's alarm? But many mortal fears and feelings In me, in me here stand reversed: The unappeased judicial pealings Wrench me, not wither me, accursed. 'Just let him live, just let him rove,' (Pronounced the voice estranged from love) 'Live—live and rove the sea and land; Long live, rove far, and understand And sum all knowledge for his dower; For he forbid is, he is banned; His brain shall tingle, but his hand Shall palsied be in power: Ruthless, he meriteth no ruth, On him I imprecate the truth.' "

He quailed; then, after little truce, Moaned querulous: "My fate! Cut off I am, made separate;

For man's embrace I strive no more; For, would I be Friendly with one, the mystery He guesses of that dreadful lore Which Eld accumulates in me: He fleeth me. My face begetteth superstition: In dungeons of Spain's Inquisition Thrice languished I for sorcery, An Elymas. In Venice, long Immured beneath the wave I lay For a conspirator. Some wrong On me is heaped, go where I may, Among mankind. Hence solitude Elect I; in waste places brood More lonely than an only god; For, human still, I yearn, I yearn, Yea, after a millennium, turn Back to my wife, my wife and boy; Yet ever I shun the dear abode Or site thereof, of homely joy. I fold ye in the watch of night, Esther! then start. And hast thou been? And I for ages in this plight? Caitiff I am; but there's no sin

Conjecturable, possible, No crime they expiate in hell Justly whereto such pangs belong: The wrongdoer he endureth wrong. Yea, now theJew, inhuman erst, With penal sympathy is cursed— The burden shares of every crime, And throttled miseries undirged, Unchronicled, and guilt submerged Each moment in the flood of time. Go mad I can not: I maintain The perilous outpost of the sane. Memory could I mitigate, Or would the long years vary any! But no, 'tis fate repeating fate:

Banquet and war, bridal and hate, And tumults of the people many; And wind, and dust soon laid again: Vanity, vanity's endless reign!— What's there?" He paused, and all was hush Save a wild screech, and hurtling rush Of wings. An owl—the hermit true Of grot the eremite once knew Up in the cleft—alarmed by ray Of shifted flambeau, burst from cave On bushy wing, and brushed away Down the long Kedron gorge and grave.

"It flees, but it will be at rest Anon! But I—" and hung oppressed— "Years, three-score years, seem much to men; Three hundred—five—eight hundred, then; And add a thousand; these I know! That eighth dim cycle of my woe, The which, ahead, did so delay, To me now seems but yesterday: To Rome I wandered out of Spain, And saw thy crowning, Charlemagne, On Christmas eve. Is all but dream? Or is this Shaveh, and on high, Is that, even that, Jerusalem?— How long, how long? Compute hereby: The years, the penal years to be, Reckon by years, years, years, and years Whose calendar thou here mayst see On grave-slabs which the blister sears— Of ancient Jews which sought this clime, Inseriptions nigh extinct, Or blent or interlinked With dotard scrawl of idiot Time. Transported felon on the seas Pacing the deck while spray-clouds freeze; Pacing and pacing, night and morn, Until he staggers overworn;

Through time, so I, Christ's convict grim, Deathless and sleepless lurching farc Deathless and sleepless through remorse for Him; Deathless, when sleepless were enough to bear."

Rising he slouched along the glen, Halting at base of crag—detached Erect, as from the barrier snatched, And upright lodged below; and then: "Absalom's Pillar! See the shoal Before it—pebble, flint, and stone, With malediction, jeer or groan Cast through long ages. Ah, what soul That was but human, without sin, Did hither the first just missile spin! Culprit am I—this hand flings none; Rather through yon dark-yawning gap, Missed by the rabble in mishap Of peltings vain—abject I'd go, And, contrite, coil down there within, Lie still, and try to ease the throe. "But nay—away! Not long the feet unblest may stay. They come: the vengeful vixens strivc- The harpies, lo—hag, gorgon, drive!"

There caught along, as swept by sand In fierce Sahara hurricaned, He fled, and vanished down the glen.

The Spahi, who absorbed had been By the true acting, turned amain, And letting go the mental strain, Vented a resonant, "Bismillah!" Strange answering which pealed from on high— "Dies irae, dies illa!" They looked, and through the lurid fume Profuse of torches that but die, And ghastly there the cliffs illume; The skull-capped man they mark on high—

Fitful revealed, as when, through rift Of clouds which dyed by sunset drift, The Matterhorn shows its cragged austerity.