English poem
Here It Is—With The _Slight Alterations_!
Come! fill a fresh bumper,—for why should we go While the [nectar → logwood] still reddens our cups as they flow? Pour out the [rich juices → decoction] still bright with the sun, Till o’er the brimmed crystal the [rubies → dye-stuff] shall run.
The [purple glebed clusters → half-ripened apples] their life-dews have bled; How sweet is the [breath → taste] of the [fragrance they shed → sugar of lead]! For summer’s [last roses → rank poisons] lie hid in the [wines → wines!!!] That were garnered by [maidens who laughed through the vines. → stable-boys smoking long-nines.]
Then a [smile → scowl], and a [glass → howl], and a [toast → scoff], and a [cheer → sneer], For all [the good wine, and we’ve some of it here → strychnine and whiskey, and ratsbane and beer] In cellar, in pantry, in attic, in hall, [Long live the gay servant that laughs for us all! → Down, down, with the tyrant that masters us all!]
The company said I had been shabbily treated, and advised me to charge the committee double,—which I did. But as I never got my pay, I don’t know that it made much difference. I am a very particular person about having all I write printed as I write it. I require to see a proof, a revise, a re-revise, and a double re-revise, or fourth-proof rectified impression of all my productions, especially verse. A misprint kills a sensitive author. An intentional change of his text murders him. No wonder so many poets die young!
I have nothing more to report at this time, except two pieces of advice I gave to the young women at table. One relates to a vulgarism of language, which I grieve to say is sometimes heard even from female lips. The other is of more serious purport, and applies to such as contemplate a change of condition,—matrimony, in fact.
—The woman who “calculates” is lost.
—Put not your trust in money, but put your money in trust.