Versos English Robert Browning Xi

English poem

Xi

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Yet I was left outside the door. "Why sit I here on the threshold-stone "Left till He return, alone "Save for the garment's extreme fold "Abandoned still to bless my hold?" My reason, to my doubt, replied, As if a book were opened wide, And at a certain page I traced Every record undefaced, Added by successive years,-- The harvestings of truth's stray ears Singly gleaned, and in one sheaf Bound together for belief. Yes, I said--that he will go And sit with these in turn, I know. Their faith's heart beats, though her head swims Too giddily to guide her limbs, Disabled by their palsy-stroke From propping mine. Though Rome's gross yoke Drops off, no more to be endured, Her teaching is not so obscured By errors and perversities, That no truth shines athwart the lies: And he, whose eye detects a spark Even where, to man's, the whole seems dark, May well see flame where each beholder Acknowledges the embers smoulder. But I, a mere man, fear to quit The clue God gave me as most fit To guide my footsteps through life's maze, Because himself discerns all ways Open to reach him: I, a man Able to mark where faith began To swerve aside, till from its summit Judgment drops her damning plummet, Pronouncing such a fatal space Departed from the founder's base: He will not bid me enter too, But rather sit, as now I do, Awaiting his return outside. --'Twas thus my reason straight replied And joyously I turned, and pressed The garment's skirt upon my breast, Until, afresh its light suffusing me, My heart cried--What has been abusing me That I should wait here lonely and coldly, Instead of rising, entering boldly, Baring truth's face, and letting drift Her veils of lies as they choose to shift? Do these men praise him? I will raise My voice up to their point of praise! I see the error; but above The scope of error, see the love.-- Oh, love of those first Christian days! --Fanned so soon into a blaze, From the spark preserved by the trampled sect, That the antique sovereign Intellect Which then sat ruling in the world, Like a change in dreams, was hurled From the throne he reigned upon: You looked up and he was gone. Gone, his glory of the pen! --Love, with Greece and Rome in ken, Bade her scribes abhor the trick Of poetry and rhetoric, And exult with hearts set free, In blessed imbecility Scrawled, perchance, on some torn sheet Leaving Sallust incomplete Gone, his pride of sculptor, painter! --Love, while able to acquaint her While the thousand statues yet Fresh from chisel, pictures wet From brush, she saw on every side, Chose rather with an infant's pride To frame those portents which impart Such unction to true Christian Art. Gone, music too! The air was stirred By happy wings: Terpander's* bird * (That, when the cold came, fled away) Would tarry not the wintry day,-- As more-enduring sculpture must, Till filthy saints rebuked the gust With which they chanced to get a sight Of some dear naked Aphrodite They glanced a thought above the toes of, By breaking zealously her nose off. Love, surely, from that music's lingering, Might have filched her organ-fingering, Nor chosen rather to set prayings To hog-grunts, praises to horse-neighings. Love was the startling thing, the new: Love was the all-sufficient too; And seeing that, you see the rest: As a babe can find its mother's breast As well in darkness as in light, Love shut our eyes, and all seemed right. True, the world's eyes are open now: --Less need for me to disallow Some few that keep Love's zone unbuckled, Peevish as ever to be suckled, Lulled by the same old baby-prattle With intermixture of the rattle, When she would have them creep, stand steady Upon their feet, or walk already, Not to speak of trying to climb. I will be wise another time, And not desire a wall between us, When next I see a church-roof cover So many species of one genus, All with foreheads bearing lover Written above the earnest eyes of them; All with breasts that beat for beauty, Whether sublimed, to the surprise of them, In noble daring, steadfast duty, The heroic in passion, or in action,-- Or, lowered for sense's satisfaction, To the mere outside of human creatures, Mere perfect form and faultless features. What? with all Rome here, whence to levy Such contributions to their appetite, With women and men in a gorgeous bevy, They take, as it were, a padlock, clap it tight On their southern eyes, restrained from feeding On the glories of their ancient reading, On the beauties of their modern singing, On the wonders of the builder's bringing, On the majesties of Art around them,-- And, all these loves, late struggling incessant, When faith has at last united and bound them, They offer up to God for a present? Why, I will, on the whole, be rather proud of it,-- And, only taking the act in reference To the other recipients who might have allowed it, I will rejoice that God had the preference.